Gorillaz- Humanz Review

TL:DR:

CHARLES DARWIN’S LATEST INSIGHT INTO HUMAN EVOLUTION TAKES THE FORM OF A BAD ELECTRONIC HIP HOP ALBUM. SICK BEATS THO

 

I have a deep sentimentality for Gorillaz. It was the first music group that I became obsessed with and probably got me into music as an entertainment medium in the first place.  Demon Days was my bible in middle school and high school and I think their self titled album is one of the most underrated albums of the 2000s despite Damon Albarn sort of self-cannibalizing Blur in some instances.  Plastic Beach was more of a grower than the other two but it still turned out great with some of the best features of any of the albums. Gorillaz blended hip hop with electronic, soul, rock and piano ballads in some instances with undeniable oddity to the production. Gorillaz’s songs have a distinct flavor to them despite being so varied. With Gorillaz signature attitude towards collaboration and they being my most significant musical experience of my childhood, they led me to so many other groups as well. Because of Gorillaz I found MF Doom, Del the Funky Homosapien, Dan the Automater(and along with him the entire genre of trip hop), Lou Reed and the list goes on and on. Gorillaz is responsible for my open mindedness towards music and although I’ve grown out of them quite a bit, I was so excited for Humanz, and it hurts to say that I’m sorely disappointed.

Humanz starts off with a useless intro, that is so benign it is meaningless to describe, that transitions into arguably the best song on the album: Ascension(feat. Vince Staples). This is such a great opener and Vince is fast and the beat is erratic. It is different than most Gorillaz but it’s different in an exciting way. But immediately afterwards the album starts a horrible trend that continues the rest of the album and is a cardinal sin for any album, it becomes unbearably boring. Strobelite with Pevan Everett singing is sort of catchy but by the time the chorus plays, the song has shown you all of it’s cards. There are no dynamics to this song, no change ups with the chord progression or structure. It’s just a generic soul piece that is irritating to listen to as Pevan makes another appearance with the song Halfway to the Halfway House which is another bland piece of soul that does not make me feel anything after the first minute.

The next song I enjoyed wasn’t until Momentz with De La Soul and is an amazing track. De La Soul takes control of the track in this manic and goofy instrumental that takes over my skul with that hook.

<MOMENTS>

Before this track is one of the singles dropped called Saturn Barz with Popcaan. I’ve grown to enjoy it a little bit although I feel like it’s only catchy in a dirty and cheap way but I can’t help getting into it.

But then this album get’s back to being boring with almost no change in pace. By the way, if you’re a fan who loves 2D, you will be disappointed. He rarely shows up for any extended period of time. There is only one song with no features on it, excluding the interludes, and it’s a decent slow-burning track called Busted and Blue that is a pretty decent sad ballad but it feels so out of place among the rest of the album that it’s hard to understand its purpose.

Purpose is something in particular this album is lacking. It just doesn’t feel like there was any attention to detail to sequencing of the tracks. This lack of effort on this end starts off immediately with the transition from Ascension to Strobelite. Ascension is such a dynamic and intense beginning that becomes quickly underwhelming as you get dropped into one of the least dynamic and exciting tracks in the listing.  The interludes are all incredibly pointless with no discernible connection to any of the songs or any of the other interludes.

The few other highlights in the listing are Let Me Out, Hallelujah Money and one of the bonus tracks: Out of Body. But out of 26 tracks, including interludes, this is not a very solid average for any album, let alone a solid average for a band as consistent as Gorillaz. It feels like Albarn doesn’t even know it’s been seven years since the last album.

I’m gonna get into the visuals to much as that has never been a selling point for me but I’ve heard others complain about the somewhat lackluster visuals and I’ve gotta second that opinion quite honestly. I’m not a visual artist or even very knowledgable about the art but there definitely does seem to be something missing in the music videos that just isn’t clicking with me.

In the end, this album isn’t terrible. The production is great as usual and the performances are mostly great, but this album makes me want to sleep.

 

4/10- Not feeling great on this one.

 

headroommuzak@gmail.com

 

Two more reviews should be coming in the next week.

 

 

 

 

 

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